Paul Sharits (1943-1993)

s HATTER $ p ATTERN $

Shatter patterns, constant audio signals my memory—now – lapse dissolve”s”/ like “l”ap dissolves implied in sound of STREA/M stir up, rise + fall of consciousness of audio phenomena: a film of leaves, metaphor of a metaphor of taut breasts quivering in a romantic location such as in a formal garden goldenly illuminated by a moon—a glance- hand grabs itself in mid space (reconsidering the meaning of human contact); shimmering leaves, then.  the film is one in which there is a wave-like shifting back and forth between single frame  compounds of static leaf shots (virtual shimmering) and pictured leaf motion (continuous run footage).

at times of paranoia I find my preoccupations dulled + my sensibilities attracted! by the pop art which is made to appeal ( to my senses) and which is made to make $$.  yet, at rare NO:H:MEANT:Z moments of clarity, my senses expand + simultaneously desire discriminative subtleties, fingers hypnotically moving across the terrain of my back, the soft pain of delicate “fingers” squeezing the back of my neck as if the impulse were directed from a deeper and more violent center than The Fingers—a direct “substitute” for total xxxxx arrangement!
The TECHNOGARDENS OF THE FUTURE DEMAND SPIRITUAL ANARCHY
what will the home’s structure be + what technology must be invented for: a home housing independent but transactive “personal unions” ( the concept of “bonds” is dying) couples (or multiples) ? when women are “equal” ( the fear of equality is unjustified; equality is not isomorphism!) to men and wish to use “the home” in the ways men have always used the home (“keeping” will be a dead term soon), what will men have to adapt to behaviorally? The house must be larger, managed by computers + “kept” by robots. this is the only sensible path to develop if we wish to expand the liberty of the whole spirit.