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Artwork

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  • Kari Achatz , Dynamical Chemistry, 2018; photo sculpture of hand-cut and layered archival color inkjet prints on archival paper, 17 ¾ x 21 ¾ x 1¼ inches; Courtesy of the artist
  • Mindy Airhart , Upon Observing the Demise of Civility, 2019; mixed fibers on antique French tea towel, 28 x 22 inches; Courtesy of the artist
  • Jozef Bajus (1958- ), Big Stitch, 2018; mixed media, rubber, 7’x9’x1’; Courtesy of the artist
  • Dianne Baker , Pointlss, 2018; wood, paint, plastic, thread, paper, 10 x 34 x 1/2 inches; Courtesy of the artist
  • Nancy Belfer , Landings, 2019; mixed media, fiber, 25 x 26 x 2 inches; Courtesy of the artist
  • Ann Clarke (b. 1959), Red Eye, 2019; textile, 44 x 44 x 6 inches; Courtesy of the artist
  • Linda K. Collignon b. 1957, Night of the Hunter VI, 2018; hand felted wool with found objects, 26 x 6 x 4 inches; Courtesy of the artist
  • Linda K. Collignon b. 1957, Night of the Hunter VII, 2018; hand felted wool with found objects, 9 x 5 x 6 inches; Courtesy of the artist
  • Bob Conge (b. 1939), Shrine #18 / To Self, 2017; mixed media and found objects in a hand-crafted wood case, 3 x 17 x 8 inches; Courtesy of the artist
  • Laurie dill-Kocher , Midnight Rain, 2018; handmade art quilt that is visual memory of an auditory sound of a rain late one evening in 2018, 38 x 38 inches; Courtesy of the artist
  • Torie Dombrowski , Anthozoan, 2018; stoneware clay, textured glaze, 21 x 17 x 27 inches; Courtesy of the artist
  • Lynn A. Duggan , Shrine, 2018; wood, bronze, silver, thread, found objects, 21 x 14 x 5.5 inches (box form), 40 inch height installed with thread; Courtesy of the artist
  • Jack Edson (b. 1950), Bernini, 2017; quilted cotton fabric, 64 x 51 inches; Courtesy of the artist
  • Tracy Fiegl b. 1960, D'Arcy, 2019; wood, 27 x 19 x 19 inches; Courtesy of the artist
  • Ani Hoover (b. 1969), Big Granny, 2018; thrifted and found yarn, finger knitting and arm crochet, 6' X 4' X 18" with variability depending on installation.; Courtesy of the artist
  • Ani Hoover (b. 1969), Memory Cookie Jar, 2018; misc. found objects, jewelry, and beads on metal and glass cookie jar, epoxy sculpt clay, 13 X 10 X 10 inches; Courtesy of the artist
  • Displaying 1-16 of 636
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"What I want is a circular museum, large enough to house these four season transitions..." wrote Burchfield in 1964. The Charles E. Burchfield Rotunda, the Burchfield Penney's circular gallery dedicated to Burchfield's work, fulfills this wish.

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