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Paul Sharits (1943-1993), Untitled (graph), 1970; colored marker on graphic paper, 11 x 8 1/2inches; Gift of Christopher and Cheri Sharits, 2006

Paul Sharits (1943-1993), Untitled (graph), 1970; colored marker on graphic paper, 11 x 8 1/2inches; Gift of Christopher and Cheri Sharits, 2006

( to make an occassion for "other" self rediscovering of "reality" (focussing) as opposed to forcing an "expressional" occassion upon "others" consciousness (which, is, BLURRING)

             octorber 31, 1970 evening, 1st mix session /i see no how the electronic system one uses is not neutral but determines-exposes its unique sublties in a manner consistent to-with its sets and sub-sets of connectiveness. now, all souls' day, the appropriate day for finally synthesizing those null set "other world" sirens' syllable whorls, we set about examining what nuances our final, composite mix will generate. i am tense but this is a tension i admire in myself because it allows me to breathe "in" non-self-devouring volumes: i am free within ranges my own domain has, of its "own" outmovingness, mapped alone or not, i sense joy; joy cannot be denied now, even in failure! flight!! a flight not "from" reality but one which rushes into the most ambiguous of clarifications: reverse smoke motion!!! water!!!!

(diagrams to the right)

(side note along left)
[ allow the emergence of audio metaphore of the visual "separation" of surface and illusion (recession)-growing "distance" between high + low frequency tone levels]

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  • Paul Sharits (1943-1993), Notes S:S:S:S:S:S, 1968-71; commercially made pocket folder, 11 3/4 x 9 1/2 inches; Gift of Christopher and Cheri Sharits, 2006

    Paul Sharits (1943-1993), Notes S:S:S:S:S:S, 1968-71; commercially made pocket folder, 11 3/4 x 9 1/2 inches; Gift of Christopher and Cheri Sharits, 2006